Miyama - Three Mountain #3
Kata Series
•
34m
The third section of the Miyama Kata deals with rooted technique, peaks rather than rolling hills or plateaus, and incorporates work from the sanchin and otoko atemi along with movements drawn from the jo, sword, and bladed technique. Hanshi Juchnik emphasizes that the form is frozen but the transitional motion is what matters most for bunkai. The tape covers circular movement, the creation of the triangle through posturing, how slight rotation creates distance even when an opponent appears close, multiple angles available from a single position, guiding an opponent through extremity contact, and how all three sections of Miyama can be connected in any order.
Up Next in Kata Series
-
Miyama: Three Mountain Revisited
This more advanced look at Miyama, primarily Miyama One, breaks through some of the barriers that arise when practitioners view the form through their existing assumptions about martial arts. Hanshi Juchnik emphasizes that kata and kumite are not separate, that any movement of the form should all...
-
Nekobuto
The Nekobuto, or cat dance form, was passed from James Mitose to Robert Trias and named in respect for Yamaguchi, founder of Japanese Goju Ryu. This tape presents Nekobuto Shodan, Nidan (also called the Geri kata for its early high kicks), and Sandan, with attention to low stances, double strikin...
-
Naihanchi
The Naihanchi kata, traced to the Chinese form Tamsui meaning springing leg set, is one of the oldest preserved forms in the Okinawan and Japanese arsenal. Hanshi Juchnik presents the Kosho Ryu interpretation with close-up attention to the centers and alignments between the third eye, the tanden,...
