Miyama - Three Mountain #3
Kata Series
•
34m
The third section of the Miyama Kata deals with rooted technique, peaks rather than rolling hills or plateaus, and incorporates work from the sanchin and otoko atemi along with movements drawn from the jo, sword, and bladed technique. Hanshi Juchnik emphasizes that the form is frozen but the transitional motion is what matters most for bunkai. The tape covers circular movement, the creation of the triangle through posturing, how slight rotation creates distance even when an opponent appears close, multiple angles available from a single position, guiding an opponent through extremity contact, and how all three sections of Miyama can be connected in any order.
Up Next in Kata Series
-
Miyama: Three Mountain Revisited
This more advanced look at Miyama, primarily Miyama One, breaks through some of the barriers that arise when practitioners view the form through their existing assumptions about martial arts. Hanshi Juchnik emphasizes that kata and kumite are not separate, that any movement of the form should all...
-
Ennogyo
This tape covers the Ennogyo forms of Kosho Ryu, including Ennogyo Shodan, Nidan, and Ennogyo San, with emphasis on the connection between the kata and the monkey form, along with elements of Bagua. Hanshi Juchnik discusses Mitose Sensei's affinity for monkey, or Saru, and explains how the form i...
-
Dan Enn Sho
This tape presents the Dan Enn Sho form, brought into the Sei Kosho Shorei Kai through the late Robert Trias and traced back to its Chinese origins in the Hebei school of Xing Yi under master Li Cunyi. The kata reflects characteristics of several of the twelve animals of Xing Yi, including the cr...
